The Ladata, which is sung during the procession from Fogliamari, is perhaps one of the most beautiful and mystical in this procession. It may be considered a form of complaint arising between the thirteenth and sixteenth century, having originated from the medieval laments.
is a literary composition, usually written in verse, expressing pain, born as a religious song but soon became an outlet on the political level and feelings, usually anonymously, and with strong intonation popular, and often lack metrics musical structure.
One of the earliest writings is perhaps laments, "Weeping Madonna" by Jacopone, which was the model for a number of complaints made about the dialogues. The complaint, around 1200, is also developed in theaters in the form of a rudimentary Melodrama, in fact the real melodrama that led to the opera, was born only the Baroque age.
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With the many domains that have ruled in Sicily, the lament is also mutated in domination domination, mixing our rhythms to those brought by the colonizers.
With the many domains that have ruled in Sicily, the lament is also mutated in domination domination, mixing our rhythms to those brought by the colonizers. That Good Friday is unique in Caltanissetta, drenched in an archaic dialect and built up an impressive pace Arabic, which perhaps best expresses the pain of this day of sadness that surrounds the whole Christian world.
ladata The Good Friday is only performed by male voices, a song that has many voices, and in this case, the items "alternate".
ladata The Good Friday is only performed by male voices, a song that has many voices, and in this case, the items "alternate".
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All this is supported by the puissance of the first voice that narrates a text that recounts the passion of Christ, divided into several parts: the 'last syllable of "primavuci" is almost caught by the fly "contravuci" which completes the stanza, after which all are the echoes with a chorus of "Ah," as if to emphasize the involvement of pain.
All this is supported by the puissance of the first voice that narrates a text that recounts the passion of Christ, divided into several parts: the 'last syllable of "primavuci" is almost caught by the fly "contravuci" which completes the stanza, after which all are the echoes with a chorus of "Ah," as if to emphasize the involvement of pain. The first entry, which is sung in turn, never follow an order, the person in fact the verse says that at that moment the 'inspiration. An 'other figure is that of the head choir choral accompaniment that, from time to tanto, interrompe la ladata gridando: "… e gridammu tutti!" (… e gridiamo tutti!) e i fogliamari gli rispondono: "viva 'a misericordia di Dì!" (Evviva la Misericordia di Dio).
- Testo tratto da "I Riti della Settimana Santa a Caltanissetta" di Francesco Miceli.
- Foto di Walter Lo Cascio.
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